Change of Year and Supervisor Assignment

• November 5th, 3-7 p.m. change of year (35th-36th cycle) and supervisor assignment (37th cycle)

Mid-term Seminars

• November 18th, 9 a.m.-1 p.m. Mid-term Seminars, 35th cycle (Serena Bellotti, Andrea Capriolo, William Cortès, Lorenzo Lazzari, Silvia Mascia)

Conferences (Palazzo Caiselli, sala Tiepolo)

• November 19th, 11 a.m.-1 p.m. Giovanni Casini (Independent researcher) Notes for the author. From the PhD thesis to the book in English-speaking publishing
• November 19th, 2-4 p.m. (online) Isabella Munari (Independent researcher) Gender perspectives in history of art
• November 22nd, 10-12 a.m. Sabrina Negri (UCB University of Colorado Boulder) The film as an archival object: film restoration as a practice and as a method
• November 22nd, 5-7 p.m.  Emanuele Lugli (Stanford University), Anti-Oedipus by Deleuze and Guattari 
• November 23rd, 10-12 a.m. Sabrina Negri (UCB University of Colorado Boulder) Teaching restoration between university and business
• November 23rd, 5-7 p.m. (online) Dale Kinney (Eugenia Chase, Guild Professor Emeritus of the Humanities and Professor Emeritus of History of Art, Bryn Mawr College): Richard Krautheimer, Rome, Profile of a City 
• November 24th, 4-6 p.m. Maurizio Ghelardi (Università Vita – Salute San Raffaele, Milano) Aby Warburg. Between anthropology and history of art
• November 25th, 5-7 p.m.: Tommaso Casini (IULM, Milano): Leonardo, Michelangelo and the Renaissance by Giovanni Papini. A research project for the 140th anniversary of his birth
• November 26th, 9-11 a.m. Chiara Franceschini (Ludwig-Maximilians-Universität, München), Crisis, norm, 'dissent': Paola Barocchi and studies on mannerism; to follow: meeting with the PhD students:  Designing an ERC. The SACRIMA case, The Normativity of Sacred Images in Early Modern Europe
• December 13th, 3-5 p.m. Linda Bertelli (IMT School for Advanced Studies Lucca) Observations on the optical unconscious. Walter Benjamin and the historicity of perceptions
• December 16th, 7 a.m.-7 p.m. (online Teams) Andrea Pinotti (Università Statale di Milano) The promise of totality: rhetoric and ideology of the 360°-image
• December 17th, 3-5 p.m. (online Teams) Erica Carter (King's College London) Béla Balázs: Body, Cinema, Politics

PhD Students’ Meetings

• January 27th, 4 p.m., sala del Lampadario: PhD students’ meeting (35th, 36th, 37th cycle) with the Coordinator

Welcome Day e PhD Award

• January 28th, 2022 3:30 p.m., at the premises in via Tomadini (Aula 3), Welcome Day for the PhD students of the 37th cycle and PhD Award 

Intercurricular Seminar: «The classics of the disciplines»

• January 27th 2-4 p.m. (sala del Lampadario) Roberto Calabretto, The reinterpretation of Vivaldi's music in Italy at the beginning of the twentieth century
• January 28th  9-11 a.m. (online) Valentina Re: Falsification is an original sin. On the notion of authenticity in Nelson Goodman and Gérard Genette
• January 28th 11 a.m.-1 p.m. (sala del Lampadario) Luca Cossettini,  The recovery of Renaissance compositional techniques in Ernst Krenek's theoretical reflection
  February 1st 9-11 a.m. (sala del Tiepolo) Simone Furlani, Art, aesthetics and interculture: a paradigm and some significant examples
• February 1st 2-6 p.m. (sala del Lampadario)  Elena Fumagalli, Italian still life (Naples, 1964)
• February 2nd 9-11 a.m. (sala del Lampadario) Linda Borean, Rudolf Wittkower- Art and architecture in Italy 1600-1750
• February 2nd 4-6 p.m. (sala del Lampadario) Roberto De Feo, Mario Praz, neoclassical taste 
  February 3rd 9 a.m.-1 p.m. (sala del Lampadario) Dimitri Brunetti, The multi-type archive
• February 4th 9-11 a.m. (laboratorio Cinema)  Francesco Pitassio, For an anthropology of cinema. Networks of knowledge, disciplinary constructions and cinema theory. Edgar Morin, Le Cinéma ou l'Homme imaginaire, Minuit, Paris 1956

Curricular Seminar: History of Art

• January 26th (online) 9-11 a.m. Orietta Lanzarini, Carlo Scarpa and the artists
• January 26th (online) 11 a.m.-1 p.m. Matteo Iannello, Roberto Sambonet, artist and designer
• February 1st 11 a.m.-1 p.m. (sala del Tiepolo) Luca Pietro Nicoletti, Abstract painting in Milan after the war. Case studies 1.
• February 3rd 4-6 p.m. (sala del Lampadario) Massimo Degrassi, Sculpture told by Rudolf Wittkover
• February 4th 2-4 p.m. (sala del Lampadario) Luca Pietro Nicoletti, Abstract painting in Milan after the war. Case studies 2
  

Curricular Seminar: Cinema, Audiovisual Media and Music

• January 27th 9-11 a.m. (Sala del Tiepolo) Andrea Mariani, A genealogy of the notions of "amateur" and "experimental" in Italian cinema culture in the interwar period 
• February 2nd 11 a.m.-1 p.m. (sala del Lampadario) Luca Cossettini, Jour, Contre-jour by Gérard Grisey. A light-based metaphor for composing timbres
• February 3rd 2-4 p.m. (sala del Lampadario) Roberto Calabretto, Pasolini and cinema

Fondazione Furlan 2022 Seminar: «Art, techniques, technologies»

• May 23rd 2-7 p.m. (online and Sala del Lampadario)  Fondazione Furlan 2022 Seminar: "Art, techniques, technologies": Ana González Mozo (Museo del Prado, Madrid); Paola Bristot (Accademia di Belle arti, Venice); Valentina Valentini (Università La Sapienza, Rome); Guido Cornini e Fabio Piacentini, Vatican Museums, Vatican City

Mid-term Seminars

• May 24th, 9.30 a.m.-1 p.m. Mid-term Seminars of PhD students, 36th cycle

Intercurricular Seminar «The classics of the disciplines»

• May 18th, 9-11 a.m. Andrea Mariani, "Vsevolod Pudovkin, Film and phonofilm" (1935). The Italian edition by Umberto Barbaro
• May 18th, 11 a.m.-1 p.m. Alessandro Del Puppo, M. Baxandall, Forms of intention
• May 21st, 9 a.m.-1 p.m. Palazzo Di Toppo Wassermann, via Gemona: Seminars of PhD students
• May 25th, 11 a.m.-1 p.m. Cosetta Saba: Gérard Genette: The work of art. I. Immanence and transcendence (1994) and The work of art. II. The Aesthetic Relationship (1998)
  

Curricular Seminar: History of Art

• May 19th, 11 a.m.-1 p.m. Gianpaolo Trevisan, Middle Ages: the space of the altars, the places of images
• May 19th, 3-5 p.m. Sala del Tiepolo, Claudia Bolgia: Santa Maria in Aracoeli in Rome: news on the Benedictine and Franciscan churches, and some reflections on the engraved architectural drawing
• May 19th, 5-7 p.m. Massimo De Grassi, Corrado Feroci in Thailand
• May 20th, 11 a.m.-1 p.m. Martina Visentin, The protection of artistic heritage during World War I
• May 20th, 2-6 p.m. Donata Levi, The artistic heritage: rhetorics and mystifications
• May 23rd, 11 a.m.-1 p.m. Claudia Bolgia, A "rediscovered" Matteo Giovannetti and the circulation of ideas and models in medieval Europe
• May 25th, 4-6 p.m. Roberto De Feo, The homage of the Venetian provinces

Curricular Seminar: Cinema, Audiovisual Media and Music

• May 18th, 2-6 p.m. Cosetta Saba: Historiographies of Italian independent cinema, 1960-1980
• May 19th, 3-5 p.m. Roberto Calabretto: Analyzing the music for a movie
• May 20th, 9-11 a.m. Valentina Re (online and  Salone del Tiepolo) New cinema, Communist culture and models of masculinity (1952-1958)
• May 23rd 9-11 a.m. Costanti Parvulescu, The Critical Innovation Discourse of Small VODs: The Case of the Cinepub
• May 25th 9-11 a.m. Costanti Parvulescu, Free Market Conceptualizations in the Romanian Film of the early 2000s
•  May 25th, 2-4 p.m. Simone Venturini, title to be notified

Udine-Parigi 3 Seminar «Display devices in arts and media. Scenographies, exhibitions, festivals, installations»

• May 26th 9 a.m.-6 p.m. and May 17th  9 a.m.-1 p.m., Sala del Lampadario, Udine-Parigi 3 Seminar «Display devices in arts and media. Scenographies, exhibitions, festivals, installations»